I am not apolgising for stepping away for a bit, I have been in need of a brain rest. Today (24 July 2016) is the last day of my week-long break from work. It is my first holiday in almost two years. I have been working in the yard and loving it. I have also spent much of my free time doing some music notating, transposing, arranging and studying the Circle of Fifths:
I am making my second Classical music mix. I am nowhere near as talented as those who do this for a hobby or a living. I do not have the gear and the magic buttons on my pooter. Ruddy heck, I don’t even know if I got the terms right. Argh. I was a bit embarrassed to do my first one:
I have decided not to compete with the others. I do not have the money or the experience to upgrade to a better system. Then again, do I have to? No. Music is a personal expression and there should be no uncomfortable feelings. I had to Google (which is now a verb and a noun) EDM. At first I thought that was a form of adult “communicating”, however, it means ‘Electronic Dance Music’. I admit this to all of you because I have no reason to be embarrassed.
A recent article came up on the BBC Radio Three website regarding the reasons why some people find Classical music difficult to comprehend and accept:
I want to make my own list of 11 points, but in relation to the electronic/techno/house movement. The reasons can be transposed from Classical to any form of music. I mean no offence to my friends who will be reading this. Thankfully they are great to allow me to not not know very much and are more than willing to answer my questions.
Gigs are too long – Oh boy, can they ever! Though I have not been to a live DJ show, I heard they can go on for hours. I listen to programmes on the Internet , which are two to three hours. When you take into account a remix of one an Enya songs is just over eight minutes, a gig can be filled with longer diddies:
Here is the original:
In all honesty, the remix is better. Sometimes longer is better. Raves, as I think the nsme still applies, are meant to last almost forevet. I would love it.
I find the theme song to Friends to be too long.
Gigs are to expensive – An Interwireless device has allowed me to listen to DJ sets from as far away as Hungary, Malta, Brighton and London. Most of the presenters on do their shows free of charge on various Internet radio stations. I have yet to pay-for-listing. I believe they may also pay for the privilege to play their sets. Most of the DJs have full-time jobs during the regular work week. Accountants can be bass-ass master mixers. Yo, baby!
It’s Groupist – To avoid this label, there is a bit of a class element here. I am plain girl from the Prairies who studied music. I was teased for going to a school with no band programme. My knowledge of dance music came via Friday night’s “Electric Circus” on MuchMusic. I sometimes feel out of place when I enter conversations regarding famous DJs because I have never heard of them. As mentioned, my friends have been great to let me ask questions as well as play along. I spend a heck of a lot of time on der Google when I listen to a show.
There is too much stuff to know – I cannot give a comment to this, as I am still an outsider. I think there are “rules” with regards to how many effects are added to a mix. You can have too much reverb, apparently: 10 tell-tale signs of an amateur mix (2)
You feel left out – Like any club, there are those who want to keep the doors closed and only allow someone in who is the right person, that is how human being operate. I have been made to feel more than welcome by the people in the DJ world, and they have been receptive to the music I have introduced them to. Except Thomas Tallis, no one seems to appreciate Thomas Tallis.
I have not heard of anybody – Oh yes, that is me most of the time. I am part of a few music review groups on Facebook and I see an array of selections by artists such as:
and so much more. This is an excuse. YouTube, MixCloud, SoundCloud, Bandcamp, and other music sharing sites are a great way to delve into newness. I have picked up a liking for Gregory Porter this way:
The music is in outer space – I heard this a lot when I first came across dance music, house music and the like. Funny how people jumped on the Fatboy Slim craze, but find works by artists like Taka Perry to be “out there” and “complete shite”:
There are so many Classical composers who were (and still are) treated this way. It has nothing to do with the genre just people being afraid to try new things. Like Thomas Tallis.
There is no “original” music – I thought that as well, but as I mentioned earlier, Classical composers reused their music and others. There are a number of original works done by DJs. Remixes, usually songs released previously, are melded into a one-off creation:
It does not fit in my world – Well, I don’t like Family Guy or Star Trek or Brussels sprouts, but that does not mean they do not fit in my world. I have friends and family that love one or all three of those things, and they are in my world. You have the choice not to listen in the end, however, try starting a new beginning by taking a leap into another universe:
(you gotta love his hats!)
I don’t know where to begin – Do what I did, go to YouTube and be random. It also helps to surround yourself is an odd (in a good way) mix of friends. Take a look at the music they post, there may be odd dance mix or jazz song that is catchy. Look for remixes of a favourite song; you never know what you’ll find:
It is loud, repetetive and no semblance of order – Yes, much like J S Bach:
There is the odd time I just can’t take some of the DJ’s choices, and I too say the music is complex and too big for my brain. It can take a while for a song to get started and then it does not seem to end (alluding to the first point). But this is the joy of making music. You cannot have symmetry in music, no matter what the masters tell you:
I have no closing statement. I will leave you with this:
(1) McAloon, Jonathan. “The 11 Obstacles to Liking Classical Music (and Why They’re All in Your Mind).” Proms – The World’s Greatest Classical Music Festival. Copyright © 2016 BBC, 13 July 2016. Web. 24 July 2016.
(2) “10 Tell-tale Signs of an Amateur Mix.” MusicRadar. © Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All Rights Reserved. England and Wales Company Registration Number 2008885., 7 June 2012. Web. 24 July 2016.